Fix broken links in OFL font descriptions (update moved, remove dead)

ofl/abyssinicasil/DESCRIPTION.en_us.html

@@ -2,6 +2,6 @@
 Abyssinica SIL is a Unicode font that supports Ethiopic and Latin languages.
 </p>
 <p>
-For more information please visit the Abyssinica SIL page on SIL International's Computers and Writing systems website, <a href="http://scripts.sil.org/AbyssinicaSIL">scripts.sil.org/AbyssinicaSIL</a>
+For more information please visit the Abyssinica SIL page on SIL International's Computers and Writing systems website, <a href="https://software.sil.org/abyssinica/">software.sil.org/abyssinica</a>
 </p>
 <p>To contribute, see <a href="https://github.com/silnrsi/font-abyssinica">github.com/silnrsi/font-abyssinica</a></p>

ofl/akronim/DESCRIPTION.en_us.html

@@ -1,8 +1,7 @@
 <p>Akronim is a brand-new, original, brush like, stylish font with a Western
 and Central European (e.g. Polish, Croatian, Czech, Magyar etc.) Latin
-character set. Handmade in Poland, Europe, by <a
-href="https://plus.google.com/113476868403882918498">Grzegorz
-Klimczewski</a>.</p>
+character set. Handmade in Poland, Europe, by Grzegorz
+Klimczewski.</p>
 
 <p>An acronym (in Polish, "akronim") is an abbreviation that forms a word. So
 this story is cut short. To understand it, imagine a nice girl with

ofl/alata/DESCRIPTION.en_us.html

@@ -10,9 +10,9 @@
 </p>
 <p>
  Alata is an original typeface designed by
- <a href="https://www.2xux.com/" target="_blank">
+
   Spyros Zevelakis.
- </a>
+
  .
  Eben Sorkin expanded the language support and refined the design in 2018.
 </p>

ofl/alef/DESCRIPTION.en_us.html

@@ -4,5 +4,5 @@
 Alef supports both the Hebrew and Latin writing systems. 
 </p>
 <p>
-To contribute, see <a href="http://alef.hagilda.com">alef.hagilda.com</a>
+To contribute, see alef.hagilda.com
 </p>

ofl/alegreya/DESCRIPTION.en_us.html

@@ -9,13 +9,13 @@
 
 <p>The italic has just as much care and attention to detail in the design as the roman. The bold weights are strong, and
     the Black weights are really experimental for the genre. There is also a <a
-        href="http://www.google.com/fonts/specimen/Alegreya+SC"> Small Caps</a> sibling family.</p>
+        href="https://fonts.google.com/specimen/Alegreya+SC"> Small Caps</a> sibling family.</p>
 
 <p>Not only does Alegreya provide great performance, but also achieves a strong and harmonious text by means of elements
     designed in an atmosphere of diversity.</p>
 
 <p>The Alegreya type system is a "super family", originally intended for literature, and includes serif and <a
-        href="http://www.google.com/fonts/specimen/Alegreya+Sans">sans serif</a> sister families.</p>
+        href="https://fonts.google.com/specimen/Alegreya+Sans">sans serif</a> sister families.</p>
 
 <p>Designed by Juan Pablo del Peral for <a href="https://www.htfonts.com">HT Fonts</a>.</p>
 

ofl/alegreyasans/DESCRIPTION.en_us.html

@@ -1,11 +1,11 @@
 <p>
     Alegreya Sans is a humanist sans serif family with a calligraphic feeling that conveys a dynamic and varied rhythm.
     This gives a pleasant feeling to readers of long texts.
-    There is also a <a href="http://www.google.com/fonts/specimen/Alegreya+Sans+SC">Small Caps</a> companion family.
+    There is also a <a href="https://fonts.google.com/specimen/Alegreya+Sans+SC">Small Caps</a> companion family.
 </p>
 <p>
     The Alegreya type system is a "super family", originally intended for literature, and includes sans and <a
-        href="http://www.google.com/fonts/specimen/Alegreya">serif</a> sibling families.
+        href="https://fonts.google.com/specimen/Alegreya">serif</a> sibling families.
     The family follows humanist proportions and principles, and achieves a ludic and harmonious paragraph through
     elements carefully designed in an atmosphere of diversity.
     The italics bring a strong emphasis to the roman styles.

ofl/alegreyasanssc/DESCRIPTION.en_us.html

@@ -1,12 +1,12 @@
 <p>
     Alegreya Sans SC is a Small Caps companion family to <a
-        href="http://www.google.com/fonts/specimen/Alegreya+Sans">Alegreya Sans</a>, a humanist sans serif family with a
+        href="https://fonts.google.com/specimen/Alegreya+Sans">Alegreya Sans</a>, a humanist sans serif family with a
     calligraphic feeling that conveys a dynamic and varied rhythm.
     This gives a pleasant feeling to readers of long texts.
 </p>
 <p>
     The Alegreya type system is a "super family", originally intended for literature, and includes sans and <a
-        href="http://www.google.com/fonts/specimen/Alegreya">serif</a> sibling families.
+        href="https://fonts.google.com/specimen/Alegreya">serif</a> sibling families.
     The family follows humanist proportions and principles, and achieves a ludic and harmonious paragraph through
     elements carefully designed in an atmosphere of diversity.
     The italics bring a strong emphasis to the roman styles.

ofl/alegreyasc/DESCRIPTION.en_us.html

@@ -9,13 +9,13 @@
 
 <p>The italic has just as much care and attention to detail in the design as the roman. The bold weights are strong, and
     the Black weights are really experimental for the genre. This is the Small Caps sister family that complements <a
-        href="http://www.google.com/fonts/specimen/Alegreya">Alegreya</a>, the main family.</p>
+        href="https://fonts.google.com/specimen/Alegreya">Alegreya</a>, the main family.</p>
 
 <p>Not only does Alegreya provide great performance, but also achieves a strong and harmonious text by means of elements
     designed in an atmosphere of diversity.</p>
 
 <p>The Alegreya type system is a "super family", originally intended for literature, and includes serif and <a
-        href="http://www.google.com/fonts/specimen/Alegreya+Sans">sans serif</a> sister families.</p>
+        href="https://fonts.google.com/specimen/Alegreya+Sans">sans serif</a> sister families.</p>
 
 <p>Designed by Juan Pablo del Peral for <a href="https://www.htfonts.com">HT Fonts</a>.</p>
 

ofl/allerta/DESCRIPTION.en_us.html

@@ -1 +1 @@
-<p>Allerta is an open source typeface designed for use in signage. Allerta  was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other. Initially published at <a href="http://matt.cc/allerta">matt.cc/allerta</a>.</p>
+<p>Allerta is an open source typeface designed for use in signage. Allerta  was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other. Initially published at <a href="https://www.matt.cc/">www.matt.cc</a>.</p>

ofl/allertastencil/DESCRIPTION.en_us.html

@@ -1 +1,3 @@
-<p>Allerta is an open source typeface designed for use in signage. Allerta  was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other. Initially published at <a href="http://matt.cc/allerta">matt.cc/allerta</a>.</p>
+<p>
+    Allerta is an open source typeface designed for use in signage. Allerta  was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other. Initially published at <a href="https://www.matt.cc/">www.matt.cc</a>.
+</p>

ofl/almendra/DESCRIPTION.en_us.html

@@ -8,6 +8,6 @@
 in 2010 and was part of the German editorial project Typodarium 2012.</p>
 
 <p>This is the Regular family, and there are sister
-<a href="http://www.google.com/fonts/specimen/Almendra+SC">Small Cap</a> and 
-<a href="http://www.google.com/fonts/specimen/Almendra+Display">Display</a>
+<a href="https://fonts.google.com/specimen/Almendra+SC">Small Cap</a> and 
+<a href="https://fonts.google.com/specimen/Almendra+Display">Display</a>
 families.</p>

ofl/almendradisplay/DESCRIPTION.en_us.html

@@ -8,6 +8,6 @@
 in 2010 and was part of the German editorial project Typodarium 2012.</p>
 
 <p>This is the Display family, and there are sister
-<a href="http://www.google.com/fonts/specimen/Almendra">Regular</a> and 
-<a href="http://www.google.com/fonts/specimen/Almendra+SC">Small Cap</a>
+<a href="https://fonts.google.com/specimen/Almendra">Regular</a> and 
+<a href="https://fonts.google.com/specimen/Almendra+SC">Small Cap</a>
 families.</p>

ofl/almendrasc/DESCRIPTION.en_us.html

@@ -8,6 +8,6 @@
 in 2010 and was part of the German editorial project Typodarium 2012.</p>
 
 <p>This is the Small Cap family, and there are sister
-<a href="http://www.google.com/fonts/specimen/Almendra">Regular</a> and 
-<a href="http://www.google.com/fonts/specimen/Almendra+Display">Display</a>
+<a href="https://fonts.google.com/specimen/Almendra">Regular</a> and 
+<a href="https://fonts.google.com/specimen/Almendra+Display">Display</a>
 families.</p>

ofl/amarante/DESCRIPTION.en_us.html

@@ -2,6 +2,5 @@
 
 <p>Amarante is a medium contrast condensed type. It uses unconventional Art Nouveau inspired shapes. Amarante is a display face but works surprisingly well in text and headlines too. Amarante supports a very broad range of languages.</p>
 
-<p>Source files are available from <a
-href="http://code.google.com/p/googlefontdirectory/">Google Code</a>.
+<p>Source files are available from Google Code.
 To contribute to the project contact <a href="mailto:sorkineben@gmail.com">Eben Sorkin</a>.<p>

ofl/amita/DESCRIPTION.en_us.html

@@ -1,7 +1,7 @@
 <p>
 Amita is the Indian Feminine form of Amit.
 Amita is a Latin and Devanagari typeface derived from 
-<a href="https://www.google.com/fonts/specimen/Redressed">Redressed</a> and Modular Infotech Devanagari 2310 and 1228.
+<a href="https://fonts.google.com/specimen/Redressed">Redressed</a> and Modular Infotech Devanagari 2310 and 1228.
 The Latin is a script type designed by Brian Bonislawsky which blends script and italic letterforms together in an upright non-connecting style. 
 Open spacing and stylish letterforms lend themselves to titling, but also to clean legibility at smaller sizes as body copy.
 The Devanagari is a traditionally calligraphic style.

ofl/anybody/DESCRIPTION.en_us.html

@@ -1,3 +1,3 @@
 <p>Anybody is a big family that combines an affinity for Eurostile plus a heavy dose of 90s inspiration. It's flexible enough to adapt to a variety of situations. From UltraCondensed to ExtraExpanded, type set in Anybody can take up a tiny amount of horizontal space or so much space that you'll need several lines. Its high x-height and low cap height help exaggerate extreme widths and weights. The italic angle is 10 degrees, noticable but subtle. The inclusion of some popular OpenType features make it practical and customizable.</p>
-<p>Learn more at <a href="https://www.etceteratype.co/anybody">www.etceteratype.co/anybody</a>.</p>
+<p>Learn more at <a href="https://etceteratype.co/">etceteratype.co</a>.</p>
 <p>To contribute, see <a href="https://github.com/Etcetera-Type-Co/Anybody">github.com/Etcetera-Type-Co/Anybody</a>.</p>

ofl/asar/DESCRIPTION.en_us.html

@@ -1,7 +1,7 @@
 <p>
 Asar is an original Devanagari and Latin typeface that is based on an expanding brush stroke following a heart line. 
 The design is meant to work well with long texts while maintaining a certain charm at large sizes.
-Asar is partially derived from Pria Ravichadran's <a href="http://www.google.com/fonts/specimen/Palanquin">Palanquin</a>, starting by interpreting that design's overall proportions and heart lines and glyph set and OpenType features.
+Asar is partially derived from Pria Ravichadran's <a href="https://fonts.google.com/specimen/Palanquin">Palanquin</a>, starting by interpreting that design's overall proportions and heart lines and glyph set and OpenType features.
 </p>
 
 <p>

ofl/atkinsonhyperlegible/article/ARTICLE.en_us.html

@@ -6,7 +6,7 @@ <h3>From Rebranding to Readability with Atkinson Hyperlegible</h3>
 <h4>Distinct and modern, the Atkinson Hyperlegible typeface aims to deliver both legibility and readability</h4>
 <img src="hero.png">
 <p>According to the <a href="https://www.who.int/news-room/fact-sheets/detail/blindness-and-visual-impairment#:~:text=Globally%2C%20at%20least%202.2%20billion,uncorrected%20refractive%20errors%20and%20cataracts">World Health Organization</a> (WHO), at least 2.2 billion people have a vision impairment. Major financial burdens can occur when people can’t read fluently or work to their full potential. For example, the WHO estimates that “losses associated with vision impairment from uncorrected myopia and presbyopia alone were estimated to be US$ 244 billion and US$ 25.4 billion, respectively.” Typeface design can help.</p>
-<p>When Braille Institute hired <a href="http://helloapplied.com/people#whoweare">Applied Design Works</a> to create a new brand identity and branding strategy to coincide with their 2019 centennial anniversary, the firm looked for a beautiful and functional font specifically designed for improved <a href="https://fonts.google.com/knowledge/glossary/legibility_readability">legibility and readability</a>. Brad Scott and Elliott Scott of Applied Design Works were concerned about typefaces that look a little like old ransom notes, where each letter and number were dramatically different from each other. They wondered if, despite designers’ intentions, these typefaces could actually be more difficult to read for some people. They decided that no existing typeface met their legibility, readability, and branding goals. So they endeavored to create a new typeface called Atkinson Hyperlegible, named after the organization’s founder J. Robert Atkinson. The work would go on to be recognized with a <a href="https://www.fastcompany.com/90389166/innovation-by-design-2019-winners">2019 Fast Company ‘Innovation by Design’ Award</a>.</p>
+<p>When Braille Institute hired <a href="https://helloapplied.com/">Applied Design Works</a> to create a new brand identity and branding strategy to coincide with their 2019 centennial anniversary, the firm looked for a beautiful and functional font specifically designed for improved <a href="https://fonts.google.com/knowledge/glossary/legibility_readability">legibility and readability</a>. Brad Scott and Elliott Scott of Applied Design Works were concerned about typefaces that look a little like old ransom notes, where each letter and number were dramatically different from each other. They wondered if, despite designers’ intentions, these typefaces could actually be more difficult to read for some people. They decided that no existing typeface met their legibility, readability, and branding goals. So they endeavored to create a new typeface called Atkinson Hyperlegible, named after the organization’s founder J. Robert Atkinson. The work would go on to be recognized with a <a href="https://www.fastcompany.com/90389166/innovation-by-design-2019-winners">2019 Fast Company ‘Innovation by Design’ Award</a>.</p>
 <figure>
   <img src="circular_forms.png" alt="8, i, a with circle on top, e with two dots on top, question mark, and period">
   <figcaption>Atkinson Hyperlegible uses circular shapes to reference Braille dots.</figcaption>

ofl/atkinsonhyperlegiblemono/article/ARTICLE.en_us.html

@@ -14,7 +14,7 @@ <h3>From Rebranding to Readability with Atkinson Hyperlegible</h3>
 <h4>Distinct and modern, the Atkinson Hyperlegible typeface aims to deliver both legibility and readability</h4>
 
 <p>According to the <a href="https://www.who.int/news-room/fact-sheets/detail/blindness-and-visual-impairment#:~:text=Globally%2C%20at%20least%202.2%20billion,uncorrected%20refractive%20errors%20and%20cataracts">World Health Organization</a> (WHO), at least 2.2 billion people have a vision impairment. Major financial burdens can occur when people can’t read fluently or work to their full potential. For example, the WHO estimates that “losses associated with vision impairment from uncorrected myopia and presbyopia alone were estimated to be US$ 244 billion and US$ 25.4 billion, respectively.” Typeface design can help.</p>
-<p>When Braille Institute hired <a href="http://helloapplied.com/people#whoweare">Applied Design Works</a> to create a new brand identity and branding strategy to coincide with their 2019 centennial anniversary, the firm looked for a beautiful and functional font specifically designed for improved <a href="https://fonts.google.com/knowledge/glossary/legibility_readability">legibility and readability</a>. Brad Scott and Elliott Scott of Applied Design Works were concerned about typefaces that look a little like old ransom notes, where each letter and number were dramatically different from each other. They wondered if, despite designers’ intentions, these typefaces could actually be more difficult to read for some people. They decided that no existing typeface met their legibility, readability, and branding goals. So they endeavored to create a new typeface called Atkinson Hyperlegible, named after the organization’s founder J. Robert Atkinson. The work would go on to be recognized with a <a href="https://www.fastcompany.com/90389166/innovation-by-design-2019-winners">2019 Fast Company ‘Innovation by Design’ Award</a>.</p>
+<p>When Braille Institute hired <a href="https://helloapplied.com/">Applied Design Works</a> to create a new brand identity and branding strategy to coincide with their 2019 centennial anniversary, the firm looked for a beautiful and functional font specifically designed for improved <a href="https://fonts.google.com/knowledge/glossary/legibility_readability">legibility and readability</a>. Brad Scott and Elliott Scott of Applied Design Works were concerned about typefaces that look a little like old ransom notes, where each letter and number were dramatically different from each other. They wondered if, despite designers’ intentions, these typefaces could actually be more difficult to read for some people. They decided that no existing typeface met their legibility, readability, and branding goals. So they endeavored to create a new typeface called Atkinson Hyperlegible, named after the organization’s founder J. Robert Atkinson. The work would go on to be recognized with a <a href="https://www.fastcompany.com/90389166/innovation-by-design-2019-winners">2019 Fast Company ‘Innovation by Design’ Award</a>.</p>
 <hr>
 <img src="image3.png">
 <img src="image4.png">